Chandigarh Kare Aashiqui Review Ayushman Khurrana will run out of sexual identities soon ss

Chandigarh Kare Aashiqui Review: To say that our country is called the country of Kamasutra, but apart from creating obscene thoughts by looking at the idols of Khajuraho, there is never any emphasis on sex education in our country. Parents always shy away from talking to their children about sex. Many fathers ask their wives to handle everything when their daughters’ periods start. By getting half-baked knowledge from some friends and some from the internet, we are giving birth to ignorant children about sex generation after generation. This is a question of education, so it will be solved sooner or later, but the danger we are not able to understand right now is to give our children the power to understand and accept their own sexuality. Even from a scientific point of view, it is not necessary that a boy grows up to become a man and a girl grows up to become a woman. Sometimes due to hormones and sometimes due to circumstances, it is possible that the sex with which the child was born, the feelings of the opposite sex become intense and with time they become so heavy that the mental balance of that person gets disturbed. In such a situation, it is right to get its mental test done at the right time and sex change if it seems appropriate, but will we be able to accept this? This is the question raised by the recent release on Netflix – Chandigarh Kare Aashiqui.

Bodybuilder Manvinder aka Manu (Ayushmann Khurrana) falls in love with Manvi (Vaani Kapoor). The friendship and relationship of both of them gets stronger. At one point, Manvi tells him that she is a “trans”, that is, she was a boy at the time of birth, but with time, her feelings for girls became stronger, so she changed herself into a girl through surgery and medicines. Everything comes crashing down after this explosive revelation and Ayushmann puts a question mark on this relationship. After some time and a little research, he realizes that love is bigger, so he returns to Vani and after a little struggle, the two reunite.

The story of the film is new. No such love has been shown in Hindi films. We have seen many films making fun of homosexuality and in some films, homosexuality has been kept in the film with very delicate beauty. Chandigarh Kare Aashiq is not based on homosexual relationships. Famous writer Khushwant Singh has written in great detail about establishing a physical relationship with a eunuch in his novel Delhi. This film is not even on such a relationship. It is neither the story of Arjuna hiding in the form of Vrihannala, nor is it an attempt to explain the concept of Ardhanarishwar. Vani Kapoor is born in this film when she is a boy. With time, the feelings of girls awaken inside her and she starts thinking of herself as a girl. As she grows older, her inner feelings become so intense that she undergoes an operation with the permission of her Brigadier father (Kanwaljit Singh) and the displeasure of her mother (Satwant Kaur) and turns from a boy to a girl.

The idea of ​​the story is very good. Ayushmann Khurrana is fond of doing strange roles. His specialty is that he imbibes these roles. He becomes a sperm donor in the very first film Vicky Donor, in Dream Girl he becomes an adult hotline telephone operator in the voice of a girl and sometimes he becomes gay in Shubhmangal Zyada Saavdhan. Ayushmann has become a Punjabi bodybuilder in this film. He himself is from Chandigarh and is a Punjabi, so this role was written keeping him in mind. In Chandigarh, you will find these types of shows by the dozens. My own English will be Masha’Allah but the girl is absolutely super model English speaking. Vaani Kapoor is improving film by film but in this film she has done an unexpected job. She has followed Ayushmann’s path and played the role of a “trans” girl. He is Punjabi in the film as well as in real life. This role was also written after seeing Vani. He has done wonders in playing this character.

Now let’s talk about where the film has been seen messing up. Screenplay is weak. The dialogues are still cheeky and it seems that Ayushmann has improvised a lot as he is well aware of the language and style of the boys of Chandigarh. The aspects which needed a little attention have been dealt with in a hurry. Sex change operation is a very expensive deal, there is no mention about it except in an animation video. In all the cases of sex change that have happened in India or outside, it is possible to make a girl from a boy, but the girl has never been seen to be as beautiful as Vani Kapoor. In Vani’s story, the problems and feelings from childhood to youth have been directly disappeared from the script. There is so much emphasis on romance that the sex change operation seems like a superfluous part of the story. With Ayushmann’s strong built and Vani’s slim and firm body, all the characters are weak. Ayushmann’s widower father has been told about his love affair with a Muslim girl. Ayushmann’s sisters are very raw characters and do over the top acting. The characters of twin brothers Riz and Jomo, Ayushmann’s business partners, have no character at all, seem to have come in extraneous ways. Even if Vani’s mother, Vani’s cousin, Vani’s friend were removed from the film, it would not have made any difference. Instead of this, if attention was given to Vani’s back story, then there could have been seriousness in the film. Ayushmann’s anger also seems fake and the ease with which he gets convinced seems childish. Punjab is a male dominated society, there this type of relationship is not accepted and no boy can accept this type of relationship but Ayushmann did it in a few scenes. Annoyed by the use of the word Hijra, Ayushmann finally tries to understand the relationship between himself and Vani by visiting a eunuch. This sounds strange.

In 2004, Jassi Sidhu wrote this song for the boys and girls of Chandigarh which became a huge hit. The film has also been named after this song. Cinematography is by Manoj Lobo and captures the color of Chandigarh to a great extent. The music of the film is by Sachin-Jigar and is in the mood of Chandigarh. The beats of Kalle Kale and Pull Te Naach are great. The film is produced by T-Series and a remix of Tanishk Bagchi’s “Chandigarh Kare Aashiqui” has also been kept. Editing is handled by veteran Chandan Arora and perhaps in the fight between writer and editor, the editor has won as the backstory and supporting cast have been dealt with very quickly.

Full marks can be given to director Abhishek Kapoor for new idea but Supratik Sen, Tushar Paranjpe and Abhishek himself should think once again for bad screenplay. Ayushmann should be praised that he is seen doing something new every time and Vani should be praised the most that despite being so beautiful, accepting such a role and playing it with passion is a big deal. From Shuddh Desi Romance to War and now to Chandigarh Kare Aashiqui, this film probably gives Vaani a way to choose the right films. The film should be watched so that the frustrations of the mind get a break and the mind opens a little. Despite the weak screenplay of the film, there is no significant difference in the film being entertaining.

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