onlinenews24seven in Film Review (⭐️⭐️⭐️⭐️⭐️)

IPC 420 Review You know the ending of this movie but you still enjoy ss

Many things are remembered by seeing Vinay Pathak and Ranvir Shorey together on the screen. Comedy movies or television comedy shows of both. Sometimes both were also seen playing serious characters in some serious films. Whenever Vinay Pathak used to appear on the screen, it seemed that Ranveer would also be coming. And such was the condition of Ranveer that his arrival i.e. Vinay Pathak’s dripping seemed certain. Now if both are seen together in a crime drama film on Zee5, then the hopes are raised. In the film named IPC 420, Vinay Pathak is in the role of a criminal and Ranveer is a public prosecutor who wants to get him punished. The competition is of collision, of thorns.

Director Manish Gupta has made a film based on his own story IPC 420. Vinay Pathak is a poor chartered accountant who works to fill income tax and returns of people. One of his clients is accused of embezzlement of thousands of crores and Vinay is also investigated by the CBI. However nothing is found. After some time, one of his clients gets Vinay arrested in the case of stealing three checks of 50 lakh each. The trial begins. Vinay’s lawyer is Rohan Mehra and the government’s lawyer is Ranvir Shorey.

In this film of 90-100 minutes, the court case and things related to it have been filmed in the best way. Vinod Mehra’s son Rohan’s second film after Bazaar. He has also acted well in this film. He has become a tactful lawyer and with his cleverness, he gets Vinay Pathak proved innocent, but in return Vinay has to pay a heavy price.

Gul Panag and Arif Zakaria have important roles in the film. Gul Panag has appeared after a long gap and the story is understood while reading her facial expressions. The audience is smart and understands the ending. Vinay Pathak also tells the secret even before the climax of the film. Rohan does the rest with his detective mind. Both Vinay and Ranveer are Aiyar type of actors. It doesn’t take long for him to get into any kind of role.

Ranveer has played the role of a Parsi lawyer this time. His dialogue delivery is not good, but his facial expressions and mannerisms look completely Parsi. Sanjay Gurbakshani is amazing in the role of a judge. The way a judge does not tolerate stunts and unnecessary dialogues in his court and pays attention to the cross-examination of a senior counsel, Sanjay has caught that very closely.

Director Manish Gupta has written films like D, Sarkar and James for Ram Gopal Varma before this. Rahasya directed by him on the Aarushi murder case was also a fine film. The best example of Manish’s writing is Ajay Behl’s courtroom drama Section 375. By the way, Manish has written a tremendous screenplay in this film as well. In just 100 minutes, he has written such scenes in the courtroom and outside the courtroom that he did not have to work hard as a director. The film was shot in a jiffy and the producers must have been happy too.

Jyoti Singh has designed the costume in this film. The clothes in which the characters of Vinay Pathak and Gul Panag are seen are in perfect harmony with the color of the film. Cinematographers Arvind Kannabiran and Raj Chakraborty have done wonders in shooting small locations. In the background music, senior composer Ranjit Barot and Som Dasgupta, an old associate of director Manish Gupta, have not made a special impact. Editor Archit Rastogi has to be praised that he has not allowed the story to wander even for a moment. Shots have been taken in a symbolic manner so that the pace of the film remains intact.

The film is well made. Must see. This time there is no melodrama in the courtroom drama. Just the end of the story is already guessed by the audience.