REVIEW: A good story has to be watered first, otherwise it becomes Parigettu Parigettu

REVIEW: Some films become a victim of the director’s thinking. Parigettu Parigettu is one such film. It must have been difficult for the director to decide how to end the story and save the negative shade hero from going to jail in the end. The premise of the film is a very good story. A young man looking for a good job after studies is running his life by taking loan and only then the burden of collecting money for his sister’s treatment comes on him. The scared middle class boy always wants to earn money by taking any wrong step because his father and his life’s struggle has taught him that if you want to dream big then you have to choose the wrong path. This thing has been shown many times in films, but every time we keep trying to understand the helplessness of the hero.

Parigettu Parigettu is the story of a young man Ajay (Surya Srinivas) whose girlfriend Priya (Amrita Acharya) is kept hostage by David Bhai (Yogi). Ajay seeks help from another criminal, Abdul Bhai (Jayachandra). Abdul asks him to take the drugs and deliver them somewhere. 10 lakhs for David and 15 lakhs for his sister’s treatment, thus Ajay accepts the deal for Rs 25 lakhs. Can Ajay escape from the police and deliver the drugs? Can Amrita be saved from David’s clutches? Answers to these questions will be found in this thriller film Parigettu Parigettu.

This is the first film of the film’s writer-director Ramakrishna Thota. This is the first film of the film’s hero Surya Srinivas. This is the first film of the film’s heroine Amrita Acharya. This is the first film of producer A Yamini Krishna. This is also the first film of cinematographer Kalyan Sami. That’s why the film is slightly undercooked and stretched like a string. If D Venkat Prabhu, who is the editor of this film, had edited the scenes of this film in a proper way, then perhaps time could have been saved and the thrill parts of the film could have been more fun. If there is a weakness in the story, it can be hidden by editing.
Hero does not do a job but he gets a loan of lakhs. He is an educated hero, and the goons take his girlfriend away in front of him and he keeps watching. An unknown goon agrees to pay him 25 lakh rupees to carry the drugs, but Hero doesn’t even show fear on his face. Gunda is brutal but why is his disciple a comedian? How can the heroine escape from the clutches of the goon so easily? How does she run away and take a lift in the car of the corrupt policeman? How does the heroine escape so easily with the hero by stealing the keys of the police station car? All these questions would not have arisen if these scenes were cut in editing.

The plot of the film is interesting. This type of film has come earlier also but this film has become loose and hence the interest of the viewers keeps on coming and going. Songs have also been kept in the film, whose tribute was necessary. The item number was kept because the image of the villain was to be created. Parigettu Parigettu means run. A song has also been composed on this theme which is dissonant and does not seem to have any sync with the film. There is a dearth of professional stunts. Director Ramakrishna is also seen acting in this film but he is a very bad actor. It is difficult to decide whether this film is worth watching or not but a good story has been sacrificed.

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